GKB
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The Hinge of Possibility
In August, 1871, George Henry Lewes wrote to Robertson Smith,1 congratulating him on his very instructive and suggestive paper on Hegels criticism of Newton2 and regretting not having read it before completing the chapter on Hegel in the fourth edition of his Biographical History of Philosophy. He went on:
Lewes remains an intriguing, complex and, in many ways, underrated Victorian figure. Leslie Stephen, in his DNB entry on Lewes, somewhat uncharitably categorised him as a miscellaneous writer and it is true that the very diversity of his interests, as well as the prodigality of his literary output, prejudiced the quality of his work as a whole.3 There were more cogent reasons, however, for his failure to achieve wholehearted acceptance within the higher social, academic and intellectual ranks of Victorian England. Like Alexander Bain, Lewes was largely self-educated and lacked the accepted credentials of birth, education or background for ready admission to the London salons. His unorthodox liaison with Marian Evans (George Eliot) from 1854 served to raise further misgivings as to his character but it was the long-term consequences of that relationship, as George Eliots own fame grew steadily greater and outshone her partners less highly-regarded talents, which diminished Lewes literary and intellectual reputation. A fervent (though not uncritical) admirer of Comte, Lewes used his editorship of the Leader to foster a popular awareness of Comtean thought in England, maintaining throughout his life an unshakeable faith in the principles of scientific positivism and in their applicability to social and moral issues. Both he and George Eliot were responsible moreover for reawakening interest in the life and work of Spinoza, whose influence lay so powerfully behind the emergence of the higher criticism in the eighteenth and nineteenth centuries.4 Having relished Robertson Smiths robust attack on Hegels criticisms of Newton and recognising the young Scots intellectual stature, Lewes grasped the chance of soliciting his advice on a variety of issues in mathematics and physics. The blunt approach was entirely characteristic of Lewes personality:
Smith responded fully, initially flattered perhaps by the older mans respect, and this elicited a second letter in September:
Lewes goes on, however, to beg further elucidation, adding:
The earliest extant letter from Smith to Lewes is dated 25 September, 1871, although this is clearly not the first. Very politely and patiently, Smith sets about explaining the apparent paradox in the phenomena of attraction and repulsion, while offering the caveat that:
It was an error, wrote Smith, to conceive of opposing forces, attractive and repulsive, existing side by side and each varying as the inverse square of the distance (of two objects from one another). That notion implied an arbitrary distinction between matter and force which could not be sustained: it was rather the effects of motion which were observed (as attraction or repulsion). Such (molecular) motion, so far as current physics could determine, was of a vortex character and, as Maxwell had proposed, might act according to some higher law than the [inverse] square:
And Smith concludes his letter with a detailed diagrammatic and verbal explanation of Newtons mechanistic concept of repulsive forces.11 More than a year later, Lewes resumed the correspondence,12 asking whether Euler should be credited with introducing the symbol p for the relationship between a circles circumference and diameter;13 and inviting Smiths opinion on Cliffords discussion of non-Euclidean geometry at the 1872 B.A. meeting.14 In his nine-page response, WRS explained that he had had the misfortune neither to hear Cliffords lecture nor to see it reported, having been in the Tyrol at the time of the B.A. meeting, but that his holiday companion there, Professor Klein,15 is one of the most rising men in the School to which Clifford belongs and we had many discussions on the non-Euclidean Geometry on our way through the Alps. While confessing to some personal scepticism,16 WRS proceeded to give Lewes his own interpretation of the concept a remarkable feat at this early date:
Smith proceeds to explain, with brilliant lucidity, how the new concept (which he thinks somewhat fallacious) involves four or more dimensions and hence offers a more generalised conception of space than that of traditional Newtonian mathematics:
Once more, Lewes had cause to thank Robertson Smith for his rapid and intensely helpful answers, since these were of direct assistance in his current work.17 In his letters, Lewes makes no attempt to conceal his intense mistrust of unreconstructed metaphysics18 but gives no indication whatsoever that his own positivist views might trouble his Free Church correspondent. For his part, Smith continued to respond just as amicably, forwarding Lewes, amongst other material, a copy of the translation of his Mill paper from the Revue des Cours Scientifiques.19 Relations between the two men were sufficiently frank for Lewes to query whether the tone of the paper were not somewhat needlessly contemptuous? and he continues:
Lewes then sent Smith, in manuscript form, a first instalment of his forthcoming chef doeuvre, Problems of Life and Mind, and in a detailed response WRS is generally approving:
What Smith found particularly appealing in Lewes approach was its sustained emphasis on adopting the scientific method for the elucidation of all problems, including those hitherto regarded as metaphysical. The first volume of Lewes work22 was published in 1873 and Smith received a complimentary pre-publication copy from the author, together with a request for details of any other articles or memoirs he (WRS) might have written. Lewes further solicited his advice on suitably illuminating texts that might aid him in studying the philosophy of mathematics:
The self-deprecating tone is characteristic of Lewes, his reference to us outsiders reflecting in particular a lifelong sense of inferiority exacerbated rather than mitigated by living in the shadow of George Eliot.23 In his letter of thanks to Lewes,24 Smith explains that he had not as yet read the entire volume:
With this qualified approbation, Smiths correspondence with Lewes somewhat tantalizingly comes to a close: yet this limited exchange of letters constitutes the sole extant example of a continuing dialogue on such matters between WRS and a non-theological correspondent, and what emerges of exceptional interest is the extent to which each influenced the other. Lewes ambitious enterprise had many flaws and failed to make a significant impact on late Victorian thinking for a number of reasons. Intellectually, Lewes fell some way short of his mentors, Auguste Comte and J.S. Mill. The time had passed, moreover, when it was possible for one man to write authoritatively on the whole sweep of human knowledge.25 Lewes had been honest to Smith in revealing the limitations of his own learning, yet made a strenuous effort to be polymathic in an age when specialisation had become an inevitable requirement in both scholarship and scientific research.26 Lewes was primarily a biologist by training but now sought, unsuccessfully, to achieve recognition as a pioneer in developing a psychology which would prove all-encompassing.27 In Problems of Life and Mind, Lewes undoubtedly over-reaches himself and he becomes a prey to prolixity and repetition faults partly redeemed, however, by the clarity of his argument and his frequently strikingly epigrammatic style.28 Lewes main thesis is readily summed up. The Scientific Method is paramount; it offers the only effective pathway towards the development of human understanding of the cosmos; and it is as capable of solving metaphysical problems as it is of providing enlightenment in the physical sciences. Coming at the very time when Robertson Smith had been invited to write for the Encyclopaedia Britannica, Lewes rallying-call to espouse the scientific method in all areas of investigation could scarcely have failed to exercise a compelling influence on the young Scotsman. The book that Smith received was shot through with echoes of the topics discussed in the correspondence between the two men and Smiths advice is always studiously followed by Lewes.29 WRS would neither have sought nor expected direct acknowledgement of his assistance; but he must have valued the approving references (in the main text as well as in footnotes) to his own paper on Mill.30 Lewes set out to demonstrate that all metaphysical questions could be brought within the ambit of scientific research; and his solution, as he points out, is simple. By coining the term metempirical to refer to whatever lies beyond the limits of possible experience,31 Lewes could then enunciate the principle that by rigorously subtracting whatever is metempirical or unknowable through experience the known remainder may then be studied scientifically:
Unfortunately, Lewes fails adequately to address the question of whether anything worthy of scientific research is left when the metempirical is subtracted from the metaphysical; and this omission must have been apparent to all his readers, including Smith. Indeed, Lewes is frequently apt to forget his careful distinction between metaphysics in general and metaphysics without its metempirical elements, so that when he cautiously comes to treat of theology, it is dealt with simply as a component of metaphysics:
No matter how cursory his reading of Lewes book, Robertson Smith would certainly have discerned the clear challenge presented to himself in the text: indeed, many of Lewes observations are, in retrospect, chillingly prophetic of the tribulations which were to beset Smith within little more than a years time. On the one hand, Lewes painted an alluring prospect of gradual progress (through science) towards human enlightenment:
On the other hand, there was the ominous threat of reactionary obscurantism as implied by the precedents of history:
Unless Smiths reading of Lewes book was cursory in the extreme (which would have been most uncharacteristic) he could hardly have accepted some of the authors strictures on religious belief:
Lewes is at his most impressive when thus giving free rein to his rhetorical gift; but he is also expert in restating the tenets of Comtean positivism in terms suited to the 1870s: his lucid analysis of hypotheses (real, auxiliary and illegitimate) is particularly shrewd, while his critiques of both Kant and Hegel would, for the most part, have received Smiths full approbation. His limitations lay in his restricted grasp of mathematics and physics (which he acknowledged) and also of psychology (which he did not). Even more evident, from a modern standpoint, is Lewes pre-Darwinian concept of evolution, traceable to his profound dependence upon Herbert Spencers Lamarckianism. Thus, in his attempts to account for the origins of human intuition, Lewes persistently falls back upon the belief that intuition (and indeed language) is a learned skill, transmitted genetically to successive generations.37 What appears, at the outset of the correspondence, to be no more than a conventional appeal from one scholar to another for assistance on certain minor technical matters, proves to have been of far greater significance, at least from Lewes perspective. Smiths modest and undogmatic suggestions were everywhere taken up by their recipient and were woven closely into the fabric of the text. Lewes influence on Robertson Smith cannot be demonstrated with the same exactitude; but the whole tenor of the book, with its constantly reiterated and, at times, emotionally eloquent advocacy of a scientific approach to all areas of research, so mirrored Smiths personal cast of thought that it can hardly have failed to reinforce and confirm his resolve not to sacrifice the work of the intellect to the narrow interests of confessional orthodoxy.38 From George Lewes to George EliotSmith relished all exchanges with men who shared his wide interests, and Lewes was no exception.39 With the possible exception of his mother, no woman was ever accorded the privilege of intellectual intimacy with Smith and it is disappointing that the link established with Lewes failed to engender any encounter (epistolary or otherwise) between George Eliot and Robertson Smith. Some clues to the nature of the problem are to be found in one of the most self-revelatory of Smiths letters, written from Aberdeen in February, 1874, to J.S. Black. It begins:
In later years, particularly at Cambridge during vacations, there came to be many such cries of loneliness, whenever Smith lacked the stimulus of congenial company. In his letter, he goes on to express pleasure that Black has begun to learn Hebrew and then abruptly changes tack:
If this warrants being construed as a spark of interest on Smiths part in the opposite sex, the dramatic and wholly preoccupying events of the subsequent six years were effectively to extinguish it completely. As it was, Smith clearly gave a greater priority to keeping fit at the gym than to embarking on a relationship with Emmie Yule. Familiar though he was with the company of his sisters Nellie had kept house for him in Edinburgh and accompanied him to Germany in 1872 he seems generally to have treated women as a race apart and, in all his writings, only one passage touches at all upon the theme of romantic love between man and woman. That occurs in the article Canticles, written for the Encyclopaedia Britannica between 1874 and 1875,41 where Smith dismissed the traditional allegorical and spiritualising interpretation of the erotic poetry within the Song of Solomon and favoured instead Herders view of Canticles as the transparently natural expression of innocent and tender love.42 Indeed, the very detailed exegesis provided by Smith in his article, while not at all denying the sensual language of the text, places a greater emphasis on the pastoral and romantic elements.43 Smith proceeds to offer a detailed and vigorously personalised reading of the text, which he regarded as a rudimentary drama, rather than a composite of independent lyrics.44 Wooed by King Solomon, the fair Shulamite remains constant in her love for the plebeian lover from whom she is parted. The alternation of monologue and dialogue affords a vehicle for the heroine to recount the virtues of her country swain from northern Palestine and to contrast these with the material assets of her suitor, King Solomon, and with the corruption of the royal court. Structural and linguistic anomalies are plausibly attributed by Smith to corruptions in the text, while the one passage (vii, 1-9) which, in WRSs eyes, can hardly be freed from a charge of sensuality is so loosely attached as to imply interpolation.45 Even allowing for the understandably inhibiting influence of contemporary attitudes, Robertson Smiths article betrays a considerable degree of sexual repression and this may go some way to account for his habitual avoidance of female society. That being so, it may seem strange that Smith chose to tackle this particular Biblical text; but it is clear that he accepted the task primarily as an intellectual challenge and that his scholarly labours (as much as his regular attendance at the gym) were, superficially at least, an effective means of sublimating whatever sexual urges he experienced as a young adult.46 The article displays Smith at his most characteristic: while substantially agreeing with what he calls Ewalds admirable exposition, Smith cites an impressive array of more than twenty-five patristic and modern commentators; and each is found wanting in one or other respect. Not only was Smith determined, as ever, to present a new thing to his readers, but he was intent to do so in as thorough and scholarly a fashion as possible. Canticles indeed provided an admirable opportunity to demonstrate the weaknesses of conventional hermeneutics. After observing at the outset that Canticles is an exceptional Old Testament book by virtue of its style and content, Smith establishes the thrust of the entire article in his subsequent assertion: The power of tradition has been the second great source of confusion of opinion about the Song of Solomon.47 As a tour de force of erudition, analytic perspicacity and psychological penetration, Canticles is entirely representative of the young Robertson Smiths intellectual brilliance and power. Beyond this, however, the article itself is unique amongst Smiths Encyclopaedia Britannica articles as a specimen of literary criticism worthy of being ranked alongside such contributions as those from Matthew Arnold, R.L. Stevenson, Swinburne or George Saintsbury. Who but Smith, for example, could so ably have explained the violent juxtapositions of place, time, reality and fantasy within the Song, in terms of a fault of perspective which is nevertheless completely natural in such early art?48 And who else, at this period, could so convincingly have written of the need for a right appreciation of the psychology of the love which the poem celebrates?49 And, whatever his natural inclinations towards the opposite sex, Smiths translation of the Songs concluding paean on love50 for love is strong as death, its passion as inflexible as the grave, its fire a divine flame which no waters can quench or floods drown hardly admits of any other view than that Robertson Smith in some sense acknowledged within himself the force of that emotion. A morally bad bookThe languid tone of Smiths letter to Black continues for a few lines further (I have as good as nothing to say about myself having been very stagnant under pressure of routine work) before abruptly switching to a new and unexpected topic:
Smiths antipathy towards novel-reading is well-documented54 and no doubt stemmed in large part from the literary prejudices both of his father and of Alexander Bain at Aberdeen University;55 even so, his off-the-cuff criticism of George Eliots Middlemarch is decidedly eccentric, especially in its inappropriate comparison with Shakespeares dramatic technique of revealing character (on stage) necessarily through speech and action. Smiths denunciation of your anatomical novel seems to suggest a fundamental misconception of George Eliots narrative style and perhaps also a degree of genuine apprehension at her penetrating psychological insight into the male character. Smith had further animadversions to offer for Blacks edification:
It is characteristic of Smiths self-discipline that he should have persisted to the end with a book which made him so angry; but the strength of his negative reaction to Middlemarch can hardly be explained other than by inferring some personal hyper-sensitivity; and it seems plausible that George Eliots psychologically astute but decidedly caustic depiction of Edward Casaubon, with his obsessive but sterile accumulation of material towards the Key to all Mythologies and his failure to possess any real insight into the female mind, came too close for comfort to Robertson Smiths own self-image.56 Though the charge of futile scholarship57 is one that was rarely laid against Smith,58 yet it is not inconceivable that, subconsciously at least, he was beginning to dread some such possibility in 1874, immured as he was within that outpost of extreme Presbyterian orthodoxy59 into which his juvenile convictions and aspirations had cast him perhaps for a lifetime.60 At any rate, George Eliots satirical thrusts at the Victorian divorce between disinterested learning and social consciousness could hardly have failed to prove intensely irritating:
Evidently too, John Stuart Mills self-analysis was no less repugnant to Robertson Smith than George Eliots anatomising. Mills Autobiography had been published posthumously in 1873, the year of his death, and it would have been entirely contrary to Smiths nature to have admitted to any such neurotic depression as Mill had suffered in his youth far less to have subjected such personal distress to intense and open scrutiny of the kind displayed in the Autobiography:
Mill conceded that such feelings were neither respectable nor capable of eliciting sympathy; indeed they could only be acknowledged retrospectively from a secure position of immense prestige and in the glow of consummate achievement. Smith, at the age of 28, could confess to nothing beyond a temporary sense of ennui and, in his letter to Black, proceeds to a distinctly intemperate joint anathematisation of George Eliot and her consort:
The perverse accusation of refined Dickensian vulgarity appears to be WRSs coup de grâce so far as Middlemarch is concerned; and the distinctly ungracious disparagement of Lewes and his partner certainly exemplifies the kind of offensive prejudice which Smith was capable of articulating at times of stress throughout his life. It seems fair therefore to interpret this extraordinary letter to Black as the poignant reflection of a personal disaffection with his own situation in life at Aberdeen. After a final change of topic (to his efforts at translating Isaiah 5 into verse63) Smith concludes candidly:
Judaism, Smith and Daniel DerondaGeorge Eliots deep interest in all aspects of Judaism is well-known64 and offers a further illuminating point of comparison between herself and Robertson Smith. In addition to acquiring the elements of Hebrew, GE was widely read in Rabbinical and Cabbalistic literature, had visited (with Lewes) the Jewish quarter and synagogue in Frankfurt, had closely read Heinrich Graetz History of the Jews as it came out in German, and was intimate with Jewish scholars such as Emanuel Deutsch and David Mocatta.65 In her last novel, Daniel Deronda, she was thus able to provide a highly convincing picture of contemporary Jewish life in its London setting and in all its multiform character: Jewish writers praised the books verisimilitude while Catholic critics deplored its sympathetic bias. Robertson Smith, for all his encyclopaedic knowledge of the Hebrew Bible, possessed nothing remotely approaching George Eliots wide-ranging and comprehensive understanding of Judaism as it existed in the nineteenth century. Within Scotland, Jewish communities had only become significant in Edinburgh and Glasgow: neither Dundee nor Aberdeen is known to have possessed a settled Jewish population at all in the 1870s.66 All that Robertson Smith knew therefore of Jewish culture at that time came to him at second hand, refracted through the medium of some eighteen centuries of Christian apologetics. Smiths first close encounter with any representative of the Jewish race (and with live anti-Jewish prejudice) appears to have been in 1876, during his Continental trip with the artist George Reid.67 The account of this episode (written by WRS) is entertaining and revealing:
They are joined in the railway carriage by a prim, broad-faced, bucolic-looking young Prediger with his newly-wedded wife with whom he is so affectionately engrossed that Reid is embarrassed. The Prediger demands that the carriage windows be kept shut, which annoys WRS and simultaneously makes the Rabbi feel unwell:
Smith is characteristically ironic about the young Rabbis reading matter but is implicitly critical of the German preachers anti-Semitism even though that is only a secondary element in his indignation. Prediger and Rabbi alike are presented as little more than fairly ridiculous specimens of an alien culture and, while Smith always showed, in his later years at Cambridge, a cultivated respect for Jewish colleagues, he plainly felt a greater spontaneous sympathy for those Arabic Semites whom he encountered.70 It was inevitable that Smith should have shared the contemporary Christian view of Judaism as an outworn creed to which its adherents clung, with a fiercely perverse intransigence, in the face of that unimpeachable revelation given through Christ by God for all humanity.71 We have no means of knowing whether WRS ever read Daniel Deronda;72 had he done so, it is unlikely that he would have consciously reciprocated the humanist views expressed by George Eliot in her final novel, given his deep-rooted conviction that the Christian revelation had been the true and perfect culmination of the long process of divine education recorded within the Hebrew Bible.73 Yet the differences between Robertson Smith and George Eliot are much less extreme than might appear at first glance. Both, above all, sought an escape from the stifling narrowness of religious dogmatism and both were zealots in their respective causes. Over the past century, Daniel Deronda has proved a rich mine for interpretative speculation of the most diverse kind. Smiths amateur prejudice against Middlemarch may readily be excused, given for example the misconceived criticisms of Daniel Deronda by F.R. Leavis, which established a normative view of the novel for a generation and more: that it was a book of two parts and that the bad part (all that dealt with Judaism) could only be heroically amputated74 if George Eliots reputation were to be saved. Even E.S. Shaffer, in what is possibly the finest analysis of the links between Victorian secular literature and biblical criticism,75 seems over-concerned to establish the books central theme as a Feuerbachian preoccupation with the ultimate identification of religion and sexual pathology.76 To challenge this view is not to deny the important presence of such elements within Daniel Deronda; rather, it is to question whether Schaffers analysis achieves that highest level of inductive generality which Lewes (following J.S. Mill) argued for in Problems of Life and Mind. On the other hand, George Eliots recurring allusions to chance or indeterminacy, which (when noticed at all by critics) have been regarded simply as one amongst many of the novels leitmotivs, do warrant being identified as the major unifying theme of the whole book, linking both Jewish and English components. Just as marriage and indeed life itself is a lottery,77 or a game of chance, so (at a more general level) the most improbable events, provided they are possible, not only may occur but will inevitably do so at some point. Hence the long concatenation of seemingly improbable encounters and outcomes in Daniel Deronda, against which the books critics protested strenuously, is central to George Eliots thesis: that our lives are ruled by the laws of probability or (more accurately) by the laws of indeterminacy; that we must lay ourselves open to the operation of such chance factors, recognising and accepting them as such; and that these laws not only act occasionally to our detriment but may constitute the springs of unique and world-shaking events.78 This theme underpins the entire action of the book,79 yet is seldom if ever explicitly discussed in the text; instead, it is repeatedly signalled in the chapter epigraphs notably that of chapter 41, where George Eliot quotes Aristotles Poetics:
Motifs of time and measurement abound. The (self-written) epigraph of the opening chapter notes how Even Science, the strict measurer, is obliged to start with a make-believe unit and goes on to discuss the relativity of time.81 There is a precise demarcation of time throughout the novel but this only serves to emphasise the meaninglessness, sub specie aeternitatis, of absolute time. Events occur within a strictly defined temporal framework, yet transcend those limits through their links with past, present and future:
These are the words of the latter-day Jewish mystic, Mordecai, to Deronda, during the pivotal episode of the book chapter 40 when Daniel, sculling down the Thames towards Blackfriars Bridge in the gathering dusk, catches sight of the others face a well-remembered face looking towards him from the parapet of the Bridge.83 The growing relationship between the two men against all the odds, as it appears forms the central theme of the so-called Jewish plot, but is wholly constructed within the novels over-arching context of causal indeterminacy. Nothing could be conceived more unlikely than that a young English gentleman of leisure should meet up with, and be attracted to, an impoverished and consumptive London Jew; nor that the visionarys seemingly equivocal dialectic should come to possess Deronda, heart and soul; nor that he should ultimately embrace his dying friends dream of recovering Jewish nationhood:
The year 1874 had seen the admission of the first Jew, Saul Isaac, to the Conservative benches of the House of Commons under the new Disraeli administration, though Jewish political emancipation dates from 1858, when Lionel Rothschild had, after much wrangling, been enabled to take his seat as a Liberal MP.85 The question of Jewish rights was therefore much in the air and the idea of a Jewish nation state in Palestine was already being actively discussed. In the celebrated Hand and Banner chapter of Daniel Deronda,86 the whole issue is debated at considerable length, the arguments for gradual cultural assimilation of the race (through baptism and intermarriage) being set out in detail by Mordecais more pragmatic friends, Pash and Gideon,87 whose rationalistic but often self-contradictory views are set in strong contrast to their compatriots steadfast and uncompromising prophetic strain, uttered in a moment of spiritual fulness, in which he attacks the others betrayal of their heritage with withering irony:
Mordecais hope is for a re-unified Israel, not by miracle, but through a renewed sense of purpose and personal self-sacrifice:
It would be foolhardy to speculate how Robertson Smith might have assessed George Eliots attempt to convey the passionate affirmations and reprobations of Hebraic prophecy, yet some of his own writing not least in the concluding words of The Prophets of Israel rings with the same highly-wrought and fervent tone that George Eliot sought to capture:
In the very last of her essays, George Eliot made explicit what she had conveyed to her novel-reading public with greater delicacy and circumspection. The Modern Hep! Hep! Hep!,91 is a ringing plea for the recognition of likeness amidst diversity;92 for an end to that cruel prejudice and wolfish hypocrisy93 which has characterised Christian attitudes towards the Jews over the centuries; and for an attempt to perceive our mutual failings and strengths as elements of a common humanity:
George Eliots words are cruelly denunciatory All this to avenge the Saviour of mankind, or else to avenge a Master whose servants showed such beneficent effects of His teaching95 but her impassioned affirmation of liberty of thought is no different in essence from that of Robertson Smiths.96 Both saw cultural development as an educative process capable of taking a diversity of forms;97 a process moreover that was fundamental for personal and national growth. With Lewes death in 1878 and the close of her own life imminent, George Eliots education was complete; that of Robertson Smith had yet far to go. Writing, in The modern Hep! Hep! Hep! of the improbable yet conceivable re-establishment of Jewish nationhood, George Eliot spoke of the hinge of possibility.98 For Smith, that hinge was to manifest itself improbably and explosively in the momentous events of 1876-1881: his arraignment, trial, dismissal from his professorial post and initiation into a new, wider life beyond the Free Church of Scotland. Alluding to J.S. Mill, George Eliot drew to the close of her essay with the comment:
And, speaking of the Jews, she writes of those who have inherited a physical and mental type strong enough, eminent enough in faculties, pregnant enough with peculiar promise, to constitute a new beneficent individuality .100 For any man to deny the potential of such latent forces is, she urges, to teach a blinding superstitionthe superstition that a theory of human wellbeing can be constructed in disregard of the influences which have made us human.101 |